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PX 70 PUSH! Three Pack
The PX 70 PUSH! is experimental color film for SX70 cameras with a pinkish tint, that will produce better color performance when overexposed and warmed immediately after ejection.
PX70 PUSH! film is exclusively developed for SX70 cameras and will NOT work in type 600 cameras.
PUSH! film is an early, very experimental version of our color material. If you are looking for more true to life colors and greatly improved contrast please check out our regular PX 70 film
Please read the detailed specs and download the User Manual here: px film website / Film Manual
PX70 PUSH! film is exclusively developed for SX70 cameras and will NOT work in type 600 cameras.
PUSH! film is an early, very experimental version of our color material. If you are looking for more true to life colors and greatly improved contrast please check out our regular PX 70 film
Please read the detailed specs and download the User Manual here: px film website / Film Manual
overview
specs
quick start
works with
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Product Specifications
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PX 70 PUSH! Color Shade is balanced for daylight and flash exposure. Each single pack contains 8 exposures. Detailed information on the PX 70 PUSH! Color Shade material is provided in the PX film website |
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This film is compatible with the following camera models:
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CUSTOMER REVIEWS
AVERAGE RATING:




(67.50 %)
16
reviews




(67.50 %)
16
reviews
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No MORE PUSH PLEASE!
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| 016 |
I had used PX Push and is by far the worst film ever produced by Impossible. Washed out and unstable images. Never got a good exposure regardless all the possible precaution. I did receive by mistake 6 pack just last year and Impossible was very kind not to charge me for those films which were sent instead of the regular color shade I had actually ordered. Anyway, I shot three films of those push type and not a single picture came out. Blue at first and just pink later on. No images whatsoever. Yes, they were free of charge so no complain. But still…should not be like this. Now just ordered three Color Shade December batch. Lets see. If they won’t be good those will be the last I buy. Miss Time Zero really and miss the good old peel apart films.
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Pro photog, best film ever!
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| 015 |
I should make it clear that I have never used a digital camera except for the random picture on my iPhone. I'm currently shooting portraits on the sx-70 stock. BEST film ever! Worth the money! You also will look super cool in front of your hipster friends. I'll be shooting an entire wedding next week on the new gold stock. I have a feeling it will be magical. Keep up the great work guys. (also used this on a project for NASA, they were happy as well) @brennaleeroth on twitter for questions.
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Not bad
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| 014 |
It's not easy to make nice colorfull pictures with this film. Most of my pictures stay really pink. Some gave more colors. You really need to expiriment with this one! (but with the 3 pack that shouldnt be a problem;))
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Experimental, delicate, soft magenta tones
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| 013 |
When You start using this film, the first few shots will most probably be yellowish or dark pink before You "get the grip" and find the best settings for Your camera.
Its heat-sensitiveness makes it even more experimental by not giving it the stableness which can be found in the new Impossible PX70 films.
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Bad
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| 012 |
I've bought a PX70 Color Push 3-pack, and I really disappoint the bad quality of the pictures. Most of the times the picture come out pink and blue and remains like that for days (not just 4 minutes), and when finally it develops, you notice that there's still no sharpness. Come on, I've paid 50 euros for 24 exposures, more than 2 euros each! It's unbelievable.
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Love it
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| 011 |
just shot my first picture with this film 3 days ago, at first the whole picture was just pink, but i left it, and it took 3 days to develop before the colours came out, and i like the colours a lot more than the px-70 colour shade, really good film, just takes a long time to develop.
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too delicate
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| 010 |
I give up!!! Ive tried multiple ways to take a shot with The Push! film. But still get lil to nothing. And when i do find a way to work it. Its never constant. In other words, every time you shoot with Push Film its nothing more than an experiment you hope goes right. Im just going to stick to the color shade from now on. I recommend you stay away from this film unless you are an experience Polaroid photographer and are looking to experiement.
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